何式凝 香港大学社会工作及社会行政学系副教授,博士导师,研究领域涵盖男同性恋,女性情欲和多元关系等课题。何式凝毕业于香港大学,后在英国Essex大学获得博士学位,研究及论文发表在众多知名的国际学术期刊。她积极推动性与社会性别研究领域的理论发展,通过实证主义案例,反思女权主义理论,挑战西方学术思想的垄断。除了教学与研究,何式凝曾主持多个电台节目,包括《形形色色何式凝》、《黄色讯号》、《一笺茶论尽天下》、《自由风,自由Phone》。近年与颜联武主持《今夜阳光灿烂》、《有武心情》和《颜式生活》,建立另类粉丝群。
从2007年游学日本时跌伤手腕的意外中,何博士反思自己的学术与人生。藉拍摄纪录片,打破传统的知识生产模式,创新社会研究的方法,并借视像呈现与诠释女性情欲和渴望。2008年与莫颂灵成立二人女子录像创作组合 The Sik Ying HO & Jolene MOK Production,合作完成的作品收录在【香港廿二春:师奶列传】中。从22位香港中年女性的访问中,探讨中国女性身处的状况及自我发展的多元性。近作有【母女对对配】、【东都密语】、【山寨王子】。她期望能游走在艺术与学术间,在游泳和舞蹈的日常生活中,找寻创作的触觉,发现多姿多彩的人生。
Ho Sik-ying Dr. Petula Ho is Associate Professor at the Department of Social Work and Social Administration, University of Hong Kong. Dr. Ho is one the few recognized experts in the relatively uncharted territory of gender and sexuality studies in Hong Kong and China. Dr. Ho's main research and teaching interests are in the area of homosexuality, gender and sexuality issues. Dr. Ho has published numerous papers in international leading journals in sexuality and gender studies, including “Sex Roles: A Journal of Sex Research”, “Journal of Sex Research”, “Violence Against Women, Sexualities”, “Affilia: Journal of Women and Social Work”, and “Women's Studies International Forum”, making important contributions to the development of a dynamic theory of gender and sexuality in the international arena that will help problematize feminist theories and resist Western hegemonies through empirical case studies that make connections between discourses, cultural practices, political economy, and social change. Furthermore, Dr. Ho often uses documentary films as a means to explore the integration and interaction of arts and scholarship.
从2007年游学日本时跌伤手腕的意外中,何博士反思自己的学术与人生。藉拍摄纪录片,打破传统的知识生产模式,创新社会研究的方法,并借视像呈现与诠释女性情欲和渴望。2008年与莫颂灵成立二人女子录像创作组合 The Sik Ying HO & Jolene MOK Production,合作完成的作品收录在【香港廿二春:师奶列传】中。从22位香港中年女性的访问中,探讨中国女性身处的状况及自我发展的多元性。近作有【母女对对配】、【东都密语】、【山寨王子】。她期望能游走在艺术与学术间,在游泳和舞蹈的日常生活中,找寻创作的触觉,发现多姿多彩的人生。
Ho Sik-ying Dr. Petula Ho is Associate Professor at the Department of Social Work and Social Administration, University of Hong Kong. Dr. Ho is one the few recognized experts in the relatively uncharted territory of gender and sexuality studies in Hong Kong and China. Dr. Ho's main research and teaching interests are in the area of homosexuality, gender and sexuality issues. Dr. Ho has published numerous papers in international leading journals in sexuality and gender studies, including “Sex Roles: A Journal of Sex Research”, “Journal of Sex Research”, “Violence Against Women, Sexualities”, “Affilia: Journal of Women and Social Work”, and “Women's Studies International Forum”, making important contributions to the development of a dynamic theory of gender and sexuality in the international arena that will help problematize feminist theories and resist Western hegemonies through empirical case studies that make connections between discourses, cultural practices, political economy, and social change. Furthermore, Dr. Ho often uses documentary films as a means to explore the integration and interaction of arts and scholarship.
朱莉黛许 20世纪最受关注的黑人女性导演,长期关注性别、阶级和种族的议题,其成名作《尘埃的女儿》创下首位黑人女性导演作品在美国院线放映的记录。其作品《人权斗士罗莎帕克》在2002年入围了美国艾米奖和美国导演协会奖。
朱莉黛许热爱文学,在从事电影创作前大量阅读文学作品。之后由于受到印度导演萨基耶雷的影像,开始从事影像艺术的创作。她20出头就开始拍电影,并且希望能够藉由自己的力量重新定义非裔美国人、尤其是非裔女性的形象。
她的电影多以非裔美国人角色故事为主,讲述非裔美国人的不同生活样貌,她关注种族议题、移民议题、性别议题与家庭议题,这其中,种族议题对朱莉而言,不仅是表述整个族群,也是对自身角色的探索和回望,令到其作品有一抹独特的魅力。
Julie Dash became the first African American woman to have a full-length general theatrical release in the United States. Furthermore, Daughters of the Dust (1992) was the first full-length film produced by an African-American woman with general theatrical release in the United States. The Rosa Parks Story (2002) was the recipient of an Emmy Award as well as the New York Christopher Award.
朱莉黛许热爱文学,在从事电影创作前大量阅读文学作品。之后由于受到印度导演萨基耶雷的影像,开始从事影像艺术的创作。她20出头就开始拍电影,并且希望能够藉由自己的力量重新定义非裔美国人、尤其是非裔女性的形象。
她的电影多以非裔美国人角色故事为主,讲述非裔美国人的不同生活样貌,她关注种族议题、移民议题、性别议题与家庭议题,这其中,种族议题对朱莉而言,不仅是表述整个族群,也是对自身角色的探索和回望,令到其作品有一抹独特的魅力。
Julie Dash became the first African American woman to have a full-length general theatrical release in the United States. Furthermore, Daughters of the Dust (1992) was the first full-length film produced by an African-American woman with general theatrical release in the United States. The Rosa Parks Story (2002) was the recipient of an Emmy Award as well as the New York Christopher Award.
陈惠美 台南人,2002年毕业于淡江大学大传系,2005年取得芝加哥艺术学院艺术硕士。目前为蒲公英电影事业有限公司制作总监。近来主要创作力放在纪录片制作上。
作品年表:2003《swinging 牵》2003《missed》2005《∞》2011《动物医学面面观 Veterinary Medicine in Taiwan》2012《墨魂 Inky Soul》2012《超越.爱 Transcending, Love》2012《当家花旦 Prima Donna》
Vivien Chen, a Taiwanese filmmaker, graduated in 2002 from the Media Studies department of Tamkang University and in 2005 from the Art Institute of Chicago. Now, she is Chief Inspector of the Dandelion Production Company. Recently, her creative forces have been centered on producing documentaries.
Filmography:2003《swinging 》2003《missed》2005《∞》2011《Veterinary Medicine in Taiwan》2012《Inky Soul》2012《Transcending, Love》2012《 Prima Donna》
作品年表:2003《swinging 牵》2003《missed》2005《∞》2011《动物医学面面观 Veterinary Medicine in Taiwan》2012《墨魂 Inky Soul》2012《超越.爱 Transcending, Love》2012《当家花旦 Prima Donna》
Vivien Chen, a Taiwanese filmmaker, graduated in 2002 from the Media Studies department of Tamkang University and in 2005 from the Art Institute of Chicago. Now, she is Chief Inspector of the Dandelion Production Company. Recently, her creative forces have been centered on producing documentaries.
Filmography:2003《swinging 》2003《missed》2005《∞》2011《Veterinary Medicine in Taiwan》2012《Inky Soul》2012《Transcending, Love》2012《 Prima Donna》
杨荔钠 1972年生于吉林,少年学习舞蹈,做过舞蹈演员、节目主持人、话剧团演员等。1996年开始纪录片工作。杨天乙是中国新生代民间纪录片代表人物之一,《老头》是她的第一部纪录片。《老头》1999年10月获日本山形国际纪录片电影节“亚洲新浪潮”优秀奖;2000年3月获巴黎“真实电影节”评委会奖。2001年10月德国莱比锡纪录片电影节金奖和观众最喜欢的影片奖。
Li-Na Yang: Born in Jinan Province in 1972, Li-Na Yang studied dancing in her youth and formerly worked as a dancer, a hostess and stage actress. Her documentary career started in 1996. She represents a new power in the field of independent documentaries. Her first film 'Old Man' won the Excellence Award in the ”New Asian Currents” unit of Yamagata International Documentary Film Festival (1990.10), the SCAM Prize in Cinema Du Reel Paris (Cinema of the Real) (2000.03), as well as the Golden Dove and Audience Award in Leipzig DOK Festival (2001,10).
Li-Na Yang: Born in Jinan Province in 1972, Li-Na Yang studied dancing in her youth and formerly worked as a dancer, a hostess and stage actress. Her documentary career started in 1996. She represents a new power in the field of independent documentaries. Her first film 'Old Man' won the Excellence Award in the ”New Asian Currents” unit of Yamagata International Documentary Film Festival (1990.10), the SCAM Prize in Cinema Du Reel Paris (Cinema of the Real) (2000.03), as well as the Golden Dove and Audience Award in Leipzig DOK Festival (2001,10).